Ar y Tracs 2

Tonight I watched the 'making-of' documentary for Ar y Tracs (see my previous blog). Co-Author Catrin Dafydd spoke about the importance of bridging the gap between Welsh and English in order to capture the complexities and humor that arises from bilingualism in Wales. Also interesting was to see her and Ruth Jones discussing their co-authorship. Here's a quote from Dafydd ('English' marked in bold for readablility):

"Ac on i'n dweud 'Oh what about this', ie, 'galla hi dweud hwn' you'd say 'wouldn't it be simpler if she just said this', a wnest ti cynnig pethau yng Ngymraeg. An' actually the perspective of someone who's learned the language really helped the script I think because hopefully it's going to be something, ti'n 'mod, really accessible i ddysgwyr ac i bobol sy ddim mor hyderus, confident, yng Nghymraeg."

(And I'd say 'Oh, what about this', ye, 'she could say this' you'd say 'wouldn't it be simpler if she just said this', and you'd suggest things in Welsh. And actually the perspective of someone who's learned the language really helped the script I think because hopefully it's going to be something, y'know, really accessible to learners and to people who are not so confident, confident, in Welsh)

A couple of interesting points here. First, a minor point about the difficulty of deciding which language is being spoken. In the final phrase (it's going to be something, ti'n 'mod, really accessible i ddysgwyr...), it's difficult to tell when Dafydd has swiched to Welsh. The first 'Welsh' words are 'i ddysgwyr', but there's evidence to suggest that switching has before this. First, 'really' is considered a loan word by many. In fact, an analysis of Dafydd's speech would be necessary to determine if she considered 'accessible' as a Welsh word, too. Furthermore, one would need to survey Dafydd's use of Welsh and English interjections to determine whether '"ti'n 'mod" (y'know) was a marked cue to language alternation.

The second point is about using other people's codes. Right at the end, Dafydd sub-titles her Welsh (hyderus, confident, also just before this quote with "... dwyiethyddiaeth, bilingualism ..."), presumably for the benefit of the less-fluent Jones. In fact, you can see Dafydd struggling with having to monitor her speech to make sure it's understandable while also trying to make a complicated point. Finally, she switches into English ('And actually the perspective ...'), which they both understand. Once Dafydd has collected her thoughts, she switches back into Welsh for the remainder of the sentence ('really accessible i ddysgwyr...').

My research focuses on why humans have a great capacity for bilingualism. The quote above demonstrates that it may be easier to adopt the 'code' of another than be constantly monitoring your own code to make sure they will understand you.

Bilingualism in Ar y Tracs

I've just finished watching the new comedy from Ruth Jones, co-writer and star of Gavin and Stacey. Ar y Tracs (On the Tracks) is a Welsh-language production for S4C (Tidy Productions/ Green Bay) following the lives of a train crew over the festive period. Ruth Jones, who is learning Welsh, co-wrote the script with Catrin Dafydd who has written for the Welsh-language soap Pobol y Cwm.

Having been away from Wales for a while, it's always a bit weird to see people speaking Welsh on TV, but this programme was notable for its extensive use of English. Characters moved in and out of thier two languages all the time, much more than you'd usually see on Pobol y Cwm, or S4C's answer to Hollyoaks, Rownd + Rownd.

As well as switching to talk to non-Welsh speaking characters, and idiomatic borrowing ("Does dim second chance da fi nawr - I've had my lot") there was plenty of inter-sentential language alternation:

"Pan ti’n mynd trwyddo i Big Brother 10, bydd, like, masif support i ti ar y we yn barod."
(When you go through to Big Brother 10, there will be like massive support for you on the web already)

Also, a good use of marked language change to emphasise dramatic turns:

A: Pwy yw Billy Bricks?
(Who is Billy Bricks?)
B: Billy Bricks was my father.

There was also a nod to Gavin and Stacey with a typical Welshifying of the catchphrase "Beth sy'n occuro?" (What's occurring?). It was really nice to see naturalistic speech. Carolyn Hitt from the Western Mail voices the same opinion.

S4C 's language scheme states that "a substantial proportion of the programmes broadcast ... must be in Welsh, and, in particular, that those programmes which are broadcast on S4C during peak viewing hours are mainly in Welsh." However, nowhere in S4C's language policy (or any other official document I've seen) is 'Welsh' actually defined. If a programme had half English words and half Welsh, would this count as a Welsh-language programme? What would a word with a Welsh stem and an English affix be counted as? What if Welsh were always the matrix language? Will broadcasters have to start hiring linguists to check their statutory obligations? I hope so (my persistence with this blog shows how far my PhD has progressed).

A possible defence for S4C in light of its language duties is to recognise that the majority of 'Welsh speakers' in Wales use Welsh as part of a cohesive Welsh-English code. Since Ar y Tracs was certainly in peak time, this may be the first endorsement by a public institution of a code-based view of communication! There's hope yet.